June Projects: Charles W. Morgan, Eleggua, Peyote Rattle and More!!!

Although I have been working at the museums quite regularly of late, I am still finding time to work on some little projects here and there. Lest my patient readers begin to fear I've dropped off the face of the earth, I'll take a moment to share...

1. An old model of the whaler Charles W. Morgan that I had been meaning to assemble for at least the last year. I finally started on it, and am about 3/4 of the way through. I'll confess that I never had the patience for model building growing up, and still find the process supremely tedious. I made one other model of the US Navy hospital ship Haven a few years ago to display in my hospitalmuseum; I think the Charles Morgan may be my final foray into model building! This model won't be painted... I have another idea in mind that I will share as the project nears completion! Before getting started on the model, I drove down to Mystic Seaport, where the actual Charles Morgan is hauled out of the water for a major restoration, to get some inspiration:













The brick "tryworks" on deck, where blubber was boiled and rendered into oil.

The area below deck at the front of the ship called the "forecastle" where the majority of the crew members slept. Most of the props and bedding in the forecastle and throughout the rest of the ship have been stripped out for the duration of the restoration.

2. I have had a handful of bone choker tube beads laying around for a while; I combined them with some India glass trade beads and made a nice, simple Plains Indian-style choker. This may end up in the FinderMaker online shop when I start stocking it up, as I'm not generally one to leave the house done up in Native American-style regalia (if you were to infer that I am apt to parade around inside the house in Native American regalia, though, you might just be on to something!)

3. This is a replica of a wonderful coconut and cowrie shell Eleggua effigy I saw online . It was for sale, but was way out of my price range, and anyway it looked like a fun project to replicate at home! I'm not done with it yet; just need to find some colorful little feathers and a few other magical sundries to adorn it with!

4. I made one of these peyote ceremony rattles about a year ago, and, after running across an extra gourd I had purchased at a farmer's market last year, decided it was time to assemble another. I think this one has turned out beautifully so far; the feather and horsehair tip on this one is extra fancy! The next step will be to add the peyote-stitch beadwork over the white leather portions; I think the beadwork on this one will have several shades of green in it. I can't wait to share photos when it is done!

5. You are probably getting awfully tired of seeing this thing! I took the strip of lazy-stitch beadwork off of the front once again and re-did it in the pattern you see presently. I also replaced the earlier cobalt beads on the red sheepskin portion with old turquoise-colored glass trade beads, and affixed the abalone and tin-cone hair drops around the sides and back (I will do a complete post with photos of all of this when it is completed!) I chose some of the finest wild turkey feathers from the batch I found at Mount Hope Farm, and have wrapped and stitched red sheepskin around the base of each in preparation for affixing them to the top of the cap. I'm finally happy with the way that front beadwork strip looks, and will definitely be keeping it!

6. In fact, I liked the beadwork pattern I came up with for the cap above so much that I just kept going with it on my little bead loom... I guess I have a hatband now!

7. One of my earliest FinderMaker posts showed me crafting a replica of an old whaling harpoon. I had made examples of two of the predominant styles of hand-darted harpoons: the double-flue and toggle irons, and figured I should add the third common style, the single-flue iron, to complete the set. The baked fimo head has been epoxied onto the shaft, and the seam sanded smooth; now the shaft and head will be painted to resemble old metal, then affixed to the cedar pole that is all shaped, sanded and ready to receive it. This is a fun project to work on using readily available materials; if your collection of nautical artifacts could benefit from the addition of a real showpiece, I encourage you to go back and follow my how-to!

Thank you so much for sticking around... I regret that I've allowed so much time to lapse since my last post! I'll be sure to do updates as I complete these (and other!) projects. Thanks for joining me!!!

The Natural History Museum Inspired This! Part Four: Shells!

Chicago's Field Museum of Natural History had, as I recall, an excellent display of seashells from around the world. I wish I could find an image of the display online, but haven't had any luck... I hope that it is still there (they were renovating several older exhibits last time I was there), and I also hope I'm not mixing up my Natural History Museums at this point! At any rate, I will cite that extensive display of shells at the Field Museum as inspiration for my pursuing the hobby of collecting, and decorating with, seashells.

The images immediately above and below depict a small cabinet I picked up for a few dollars at a thrift store in Chicago. The glass front and side panels were originally wood; I simply popped out the wood panels and replaced them with glass, then cut and installed two glass shelves and a nice nickel knob, and gave it a few coats of paint: white outside, sea blue inside. I've picked up shells and bits of coral and sea life to put inside mostly at various beaches, though a few special ones were purchased from some of the many excellent seashell shops during visits to Sanibel Island, Florida. The beaches on Sanibel are veritable shell shops in their own right; the island is situated such that tons of shells from the Carribbean and beyond are carried there by the currents and dropped off right at your feet... all one has to do is assume the famous "Sanibel stoop" and make your way slowly up and down the shore picking up your treasures!

I made little stands for some of the shells by cutting a 1" diameter dowel into 3/8" thick disks. I then drilled a hole in the center of each disk and inserted a short length of brass rod, bent as needed to fit into the opening of the shell so that the shell could be displayed upright.



One of my favorite shells to hunt for on Sanibel is the tiny "coquina" (Donax variabilis) shell; what they lack in size is made up for in the fun assortment of rainbow colors that nature has imbued them with! They are sometimes called "butterfly shells" and it is easy to see why; at first glance you might think the image below is a butterfly display! In fact, I just picked out some nice colorful coquinas from my collection, drew a pencil grid onto a piece of black mat board (I left the pencil grid lines; I like the somewhat scientific "compartmentalized" appearance they lend) and glued a matched pair of coquina shells into the center of each square of the grid! They are framed in an inexpensive white Ribba frame from Ikea.





In an earlier "The Natural History Museum Inspired This" post on minerals, I pictured a pack of vintage educational mineral "flash cards" made by Ed-U-Cards of Nature. That company also issued a beautiful set of seashell cards; I liked looking at them so much that I decided to make a permanent display for them so I could enjoy seeing them all at once!



I started by assembling a simple 3 foot by 4 foot background support using 1"x 2" pine strips from the lumber store for the four sides (and 2 extra cross-strips in the center for support) onto which I glued a 3 x 4 foot sheet of Masonite. I painted the surface of the Masonite with primer, and then a light yellow/putty shade, then used PVA glue to glue the cards on. Over all that I affixed a sheet of protective Plexiglas by drilling small holes in each corner and the center of each side of the Plexiglas. I screwed tiny screws through each of the 8 holes and into the wooden background support to hold it on.



I haven't yet tired of looking at those cards, and I'm pretty good at recognizing shells by sight now, as well!

Also in that earlier post on minerals, I wrote about a contemporary reprint I found of one of my favorite little Golden Guide field guides entitled "Rocks, Gems and Minerals". Well, it turns out, the whole line of Golden Guide field guides has been re-issued, with updated covers, but featuring all of the same terrific information and illustrations as the originals! I recently picked up the beautiful edition on seashells and have enjoyed it immensely! Does anyone else remember having one (or more) of these books as a youngster?





Early one morning I walked out onto the beach in Sanibel and found that hundreds of sea urchins with brilliant purple shells had washed ashore overnight. I eagerly carried an armload back to the bungalow and set about cleaning them. They were very delicate, though, and only three or four made it home intact (two of them are barely visible on the bottom row of the second photo). One afternoon I was at Jamali Hardware and Garden in Manhattan searching for some supplies I needed to finish a window decorating project I was working on, and saw (of all things!) a bin of beautiful salmon pink sea urchin shells. They felt quite durable and I sure liked the color, so I purchased a few dozen. Back home, I packed them into an antique apothecary jar, and have enjoyed displaying them along with my collection of "sea curios" ever since!



To learn more about seashells than you ever wanted to know, hop over to the fun Seashell Collector website! Thank You ever so much for joining me, and I do hope we meet again soon!

Funny Thrift Store Discovery: Wedgwood Lobster Bowl

Even when the pickings are slim at the local thrift shop, I can usually get a few good chuckles out of the array of silly things that turn up. Take this lobster bowl, for instance: At first glance I thought "Ha! Now theres something funny to see! A bowl in the form of a shell being supported by a lobster! A thing like that!" and so on...

Well, Anne was really quite taken with it from the get go, but I maintained that, curious though it was, it was destined to live on that thrift store shelf for a considerable time eliciting all manner of laughs and criticisms before anyone came along and deemed it worthy of purchase. Anne took a closer look under the base for hallmarks and such, and she found a few, and one that seemed to read "wedgwood". Well, that was just fine, says I, immediately assuming the role of Antiques Roadshow-style appraiser, asserting that such things as that were easy to fake, and that this piece probably came from the home goods department at TJ Maxx down the road.

That lobster bowl did work its way into my brain, though, and we talked about it and wondered about it all the way home, and when we got there, Anne made straight for the computer and set right to researching the thing. The Wedgwood Museum describes the bowl thusly:

"Towards the end of the 19th century, when the Victorian taste for all things extravagant and quirky, was at its height, Wedgwood introduced numerous items of novelty tableware. Salad bowls and servers in particular were eminently suitable vessels to be disguised with various flora and fauna. This example has the bowl itself balancing on lobster claws. It was patented in 1888 and manufactured in the same year. "

The identical bowl in the Wedgwood museum is described as a salad bowl and is pictured with serving utensils (below)



A catalog from a 2009 Christie's auction lists two identical bowls, without the serving utensils, as "Wedgwood Creamware Shell-Form Centerpiece Bowls". Wedgwood also manufactured the salad bowl below, from the collection of the Museum of Liverpool



Well, at any rate, by the time we found the information I've posted thus far, we were fairly well obsessed with that old lobster bowl, and when we saw that Christie's had auctioned off their identical pair for $3250.00 why we were just on fire for it! Problem was, the thrift shop had closed for the day. After all that research I changed my tune pretty quick and figured someone more savvy than us had probably snatched that thing up as soon as we set it down. We made a plan to be waiting for the doors to open the next morning in the event that it was still there, and had some information on what marks should be found on the bottom of the bowl written on a scrap of paper. I was just as happy as could be when I saw it was still perched up on its shelf! We examined the base and determined that all of the various markings were in order, and that this was the real deal before hauling it up to the register. The gal at the counter kind of wrinkled up her nose and gave us a funny look when she saw it, but we didn't mind a bit; we had our treasure! Following are a few more images of our lobster bowl:









The image above shows the various hallmarks and other information stamped and painted underneath the base. I've had a fine time arranging various groupings of shells, corals and sealife in our new Wedgwood bowl!



Thanks for joining me, and do have a lovely weekend!

Beaded Curios

I've been putting an awful lot of time into finishing up the wax anatomical heart models and designing their packaging, but I have snuck in a little beading here and there. I finished up one segment (of 3) of 3-drop peyote stitch beadwork on my little gourd rattle! It is not perfect (nothing I do ever is!) but it is bright and happy and I very much enjoy looking at it, and that is what counts!



Ive also been finding cheap glass domes like crazy at the thrift store. I do enjoy painting the bases and putting curios inside!

On the Aesthetic of the Victorian Naturalist's Parlor...

Recreating, or alluding to, the aesthetic of the Victorian naturalist's parlor has become very much en vogue of late. One has only to peruse any current interior decorating magazine to confirm that exhibiting mineral specimens, bones, shells and any creature preserved by means of taxidermy within the home distinguishes it's inhabitant as a man or woman of a scientific mind; trolling land, sky and sea in a quest for evidence of nature's most dramatic creations. The most delicate or prized specimens are distinguished by their tendency to be enshrined within the protective chamber of the Glass Dome. I can assure you that even a relatively pedestrian display of curios may be greatly enhanced by the act of putting a few choice specimens under glass domes of various sizes. Many chic retailers are now offering glass domes to the aspiring collector at greatly inflated prices:

$40 and $160, base and contents not included.

Without question, the best place for the decorator-on-a-budget to acquire glass domes is the local thrift store. How do such fine display accessories end up in a thrift store, you ask? Well, very often they are seen covering some imported brass-toned "antique" clock like the one below:

Also, In the 1970's, it was not uncommon for crafty folk to compose arrangements of dried weeds and butterflies and display them under glass domes, and these will very often be spied among the bric-a-brac at the local thrift store as well. I recently picked up the dome below at the thrift store for only $3.99. It contains a "real rose, preserved for eternity (by dipping it in red paint!)" Just remember not to let whatever hideous object you see inside color your decision to take it or leave it; $3.99 is a great price for a bell jar, after I ditch the rose and lace and paint the base!



The image below is another fine dome and base found recently for $5.99 at a thrift store. Unfortunately, I had eagerly discarded the most offensive portions of the set before taking this photo, which consisted of a small clock supported by an arch covered in pastel flowers like those around the base. Beneath the arch stood a small plastic bride and groom which, aided by a small battery powered motor in the base, "danced" in lazy circles of wedded bliss.



The arch was easily cut down with a little hand saw, the bride and groom were plucked from the rotating post, and the raised flowery vine encircling the base was easily sanded off with an electric sander. I then applied a few coats of primer and white paint, and ended up with a very nice dome and base that one would never suspect to have been a tacky wedding gift. The dome on the far right of the first image of this posting is the completed project, containing a coral tuft. Should I desire, a suitable curio may be mounted on the left-over rotating post sticking out of the base, adding rotating motion to the display! *Update* On the first morning of the new year I awoke to the sound of breaking glass: my naughty kitty had pushed this dome off the shelf! Im glad I hadn't paid $160 for it! All three of the domes in the title image were purchased from thrift stores, and none cost more than $8.00. Should you find a dome with no base, purchase it and proceed at once to the "woodcraft" aisle of your local Michael's or Crafts, Etc., where you may purchase an appropriately sized round pine plaque with a routed edge for only a few dollars to serve as the base. Now, perhaps you wonder what sort of natural curiosities you might display within your new dome? I beg you spend some time perusing the excellent photographs British artist Lucy Harvey has taken among the Natural History collections of some very fine British museums, including Oxford's trove of curiosa, The Pitt Rivers Museum, which may be further explored by embarking on a virtual tour of their galleries here

Now get out there, You, and start collecting!

addendum: Ok, Ok... if you simply must have a bell jar and something to display within poste haste, allow me to guide you to San Francisco's Paxton Gate, a delightful shop that will surely slake your thirst for the unusual... for now.